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Showtimes:

Friday - 8 p.m.

Saturday - 8 p.m.

Sunday - 2 p.m.

All Tickets are $20

Pay-what-you-can preview on Thursday, February 3rd at 8 p.m.

February 4 - 20, 2022

A dark pall hangs over the Manningham flat on Angel Street - even with the gaslights on. A Broadway hit first produced on the West End under the title Gaslight, Angel Street's gripping suspense is still relevant today. A neo-Victorian Gothic suspense thriller set in 1880s London that explores the abusive tactic of gaslighting, the name of which is derived from this play.

"It really can keep you anchored to your seat bolt upright – a work that is everything one could hope for." 

-New York Herald Tribune

Cast & Creative Team

Cast: Tatiana Nya Ford, Ruta Douglas Smith, Betse Lyons, Elijah Moreland, Rob Vary

Director/Dramaturg: Lee Conderacci

Stage Manager: Jenny Hasselbusch

Set Designer: Bruce Kapplin

Lighting Designer: Seamus Miller

Costume Designer: Jennipur Jane

Sound Designer: Carlos Guillen

Intimacy Choreographer: Katie Hileman

Board Op: Lanoree Blake

Producer/Properties: Barbara Madison Hauck

Production Photos
Coming Soon

Reviews

Coming Soon

Online Resources

House of Ruth

  • Offers immediate support and resources for those experiencing DV/IPV in the greater Baltimore area as well as education and training resources

  • www.hruth.org

  • 24 Hour Hotline (410) 889-RUTH (7884)

Turnaround Inc.

  • Offers immediate support and resources for those experiencing sexual and gender-based violence in the greater Baltimore area as well as education and training resources

  • TurnAround Helpline – Baltimore County and City – 443-279-0379

  • https://www.turnaroundinc.org

One Love Foundation

  • Offers educational resources about IPV and also ways to foster healthy relationships, aimed at young people

  • https://www.joinonelove.org

National Coalition Against Domestic Violence (NCADV)

National Domestic Violence Hotline

Cast Bios
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Tatiana Nya Ford (Bella Manningham) is interested in creative processes that require immense and intricate intimacy, vulnerability, and truth and artworks that may not have finality and are not associated with traditional standards of beauty or worth. Her studies in expressive arts therapy drives her artistic performances. Tatiana hopes you enjoy the show and welcomes conversation about its themes. (she/her/hers)

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Betse Lyons (Nancy) is an actor, director, producer, and intimacy choreographer in the Baltimore area. Some previous acting credits include: Drowning Girls, Detroit '67, and Miss Bennet: Christmas at Pemberly (The Strand), I Will Eat You Alive (Interrobang), See Also (Submersive), In the Blood and 10x10x10 (FPCT),  Love is a Blue Tick Hound (Rapid Lemon), Sea Voyage (BSF), Sally McCoy (Cohesion), The Tempest (Annex), The 39 Steps (LMP), and A Lie of the Mind (Pitt). You can find her fat-positive account on TikTok @betsebabe. (she/her/hers)

Rob Vary.jpeg

Rob Vary (Jack Manningham) was most recently seen onstage at FPCT’s 2019 10x10x10 playwriting festival, as Karl Linder in A Raisin in the Sun with WombWork Productions, and as the Intruder in See How They Run with the Vagabond Players. Favorite roles elsewhere include Zagreus in Oraculous with Salt Luck Arts, the Narrator in eightysix with the Charm City Fringe Festival, and Horatio in The Spanish Tragedy and Butch Honeywell in The Last Days of Judas Iscariot, both with the Mobtown Players. In his day job, he uses fish to try and get kids excited about science. (he/him/his)

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Elijah Moreland (Detective Rough) is thrilled to be in Fells Point Corner Theatre’s production of Angel Street (Gaslight). Theatre credits include: Iachimo in Baltimore Shakespeare Factory’s Cymbeline, Oberon/Theseus in BSF’s A Midsummer Night’s Dream, Kevin in It Goes Unsaid, Brooklyn in Starbox, and Josiah in Whispers in the Dark in New York City. In 2008, Elijah made his big screen debut opposite Shia LaBeouf in Eagle Eye. Other film credits include: Before We Go, Cigarette Soup, and Miracle at St. Anna. TV credits include: NBC’s “Deception”, USA’s “Royal Pains”, and ABC’s “One Life to Live”. Elijah trained at William Esper Studio in NY and studied voice, speech and Shakespeare with Shane Ann Younts. Elijah is grateful to his family and friends for their love and support and would like to thank all those involved in Angel Street for the awesome opportunity and experience. (he/him/his)

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Ruta Douglas Smith (Elizabeth) is based in Baltimore. Select credits include Rosemund in Liaisons Dangereus, Maria Josefa in House of Bernarda Alba as most recent roles played as character roles are especially enjoyable. There have also been assistant director forays in Caryl Churchill's Vinegar Tom, and Erin Riley’s Little Women. Art in every form, including acting, dance, and music has always been a haven, especially in these crazy times. She is grateful and thankful to her husband Brian, Erin Riley, Carolyn Spedden, and Sherrione Brown for their belief, inspiration, and guidance. This cast and crew have also kept me laughing and sane through this process. This performance is dedicated to Aldona Daukantas, my older sister who had brought me up and inspired me to follow my heart and instincts, and not to cave to expectations (she/her/hers/their/theirs)

Creative Team Bios

Lee Conderacci (Director/Dramaturg) is a Baltimore-based theatre artist, scholar, and activist. Among her previous directing credits are Gallathea by John Lyly, Neil Simon’s The Odd Couple, and the Baltimore premiere of Love is a Blue Tick Hound by Audrey Cefaly. Lee has performed locally at various venues, with favorite roles including Tybalt in Romeo and Juliet, Thethuthinnang in an original adaptation of Watership Down, and Magenta in The Rocky Horror Show (in four different productions). Lee holds a B.A. in English and Theater from Princeton University and a M.S. in Communications from Towson University; she is currently pursuing a Ph.D. in English at University of Delaware. Her research focuses on representations of sexual and gender-based violence within contemporary theatre. Lee brings her critical feminist scholarly lens to her work as a theatre practitioner, wherein she explores and interrogates the relationships among performance, spectatorship, and identity. (she/her/hers)

Jennifer Hasslbusch (Stage Manager) is a performer currently based in Baltimore with favorite past roles including Susan in Vinegar Tom, Kayleen in Gruesome Playground Injuries, and Isabella in The Spanish Tragedy. Most recently she served as Stage Manager for the east coast premiere of Blood Countess at The Strand Theater. She is thankful for the dedication of these artists to making this process as smooth as possible in these times of uncertainty. (she/her/hers)

Bruce Kapplin (Set Designer) brings over 35 years of production experience. He enjoys participating in local theater, and most recently was the set designer for Wit and Perfect Arrangement at FPCT and the video designer for Rapid Lemon’s Variations on Myth. He started his career as an intern at Baltimore Center Stage. Over the years he has worked with Props and Sets, Baltimore Stage Lighting, Barrons Stage Curtains, Theater Service and Supply and now owns Jericho Stage Inc. a full service production company providing services to clients such as Bowie State University, DC Jazz Festival, Gilman School, Roland Park Country School, Iron Man Triathlon, The Architect of The Capitol, WBAL TV, House of Cards, and the Women’s March on Washington. He thanks Rusty his emotional support dog. (he/him)

Séamus Miller (Lighting Designer) is a DC-based theatre and filmmaker. He is a member of Actors’ Equity Association and a resident artist with the Chesapeake Shakespeare Company. More info can be found at www.seamusactor.com (he/him/his)

 

Carlos Guillen (Sound Designer) is a Baltimore-based Sound Designer and Audio Engineer, most notably with Mobtown Players, The Strand Theater, and the Baltimore Rock Opera Society.  Carlos has also worked in many legendary but now defunct Baltimore venues such as Mobtown Theater, Lo-Fi Social Club / The Hexagon Space, and The Windup Space.  Most recently Carlos was Sound Designer for The Strand Theater’s production of Blood Countess.  He is very happy to be a part of this production at FPCT! (he/him/his)

Katie Hileman (Intimacy Choreographer) is a DIY theatre-maker based in Baltimore, MD. Her intimacy choreography work was last seen at FPCT in Wit. She is a graduate of Towson University’s MFA Theatre Arts program, UMBC’s BFA Acting Program, and an Assistant Faculty member of Theatrical Intimacy Education. She is the Artistic Director of The Interrobang Theatre Company, where she has produced over 14 new plays. (she/her/hers)

Barbara Madison Hauck (Producer/Properties) is mostly a performer around Baltimore. Select credits include Alais in Lion in Winter, Edward/Betty in Caryl Churchill's Cloud 9, the Cheshire Cat in Alice in Wonderland, Fluellen in Henry V, Mercutio in Romeo and Juliet, the other Boleyn girl (Mary) in Anne of the Thousand Days, and W in Cock here at Fells Point Corner Theatre. Barbara studied at the Gaiety School of Acting in Dublin and holds a BFA in Acting from UMBC. She is wildly grateful to all her collaborators for their patience, trust, and guidance. (she/her/hers)